Works Cited

Bingham, Adam (2004) “The Spaces In-Between: The Cinema of Yasujiro Ozu” Cineaction, no. 63, pp. 45-56. Toronto: CineAction Collective

Bordwell, David (1988) Ozu and the Poetics of Cinema. Princeton: Princeton University Press

Ferreira, Tiago and Wayne Rasband (2010–2012) ImageJ User Guide: IJ 1.46r

Ferguson, Kevin L. (2016) “The Slices of Cinema: Digital Surrealism as Research Strategy.” The Arclight Guidebook to Media History and the Digital Humanities, ed. Charles R. Acland and Eric Hoyt, pp. 270-299. Falmer: REFRAME/Project Arclight

—– (2017) “Digital Surrealism: Visualizing Walt Disney Animation Studios,” Digital Humanities Quarterly, 11(1). The Alliance of Digital Humanities Organizations

Hockey, Susan (2004) “The History of Humanities Computing,” A Companion to Digital Humanities, ed. Susan Schreibman, Ray Siemens, John Unsworth. Oxford: Blackwell

Richie, Donald (1974) Ozu: His Life and Films. Berkeley: University of California Press

Sample, Mark (2012) “Notes Toward a Deformed Humanties”. Sample Reality blog post.

Samuels, Lisa and McGann, Jerome (1999) “Deformance and Interpretation,” New Literary History, 30(1), Poetry and Poetics, pp. 25-56. Baltimore: John Hopkins University Press

Steyrl, Hito (2013) “Too Much World: Is the Internet Dead?. e-flux Journal, no. 49.

Weingart, Scott (2016) “Submissions to DH2017 (pt. 1)”. the scottbot irregular blog post.

Wenders, Wim (1985) Tokyo-Ga. Released on the Criterion Collection Blu-ray of Late Spring (1949).

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